A documentary on the ill-fated feature project of the Academy Award-winning animator, Richard Williams, illuminated aspects of the animation business usually left untold.
The Suicide Shop (Le magasin des sucides) by Patrice Leconte is an anomaly: a film that is so warm that belies its subject-matter, but also contrived and stereotyped.
Approved for Adoption (Couleur de peau: miel / Skin color: honey) by Jung and Laurent Boileau is a welcome study of a neglected area in child development, but minimizes all the harsh edges of the adoption predicament it describes.