ANIMATION FRONT

(Exclusive): Garrano Animation Short Trailer by David Doutel and Vasco Sá
(Exclusive): Garrano Animation Short Trailer by David Doutel and Vasco Sá
'I Like Animation Projects That Go Deep Into the Subject': Interview with Saskia von Virág (Swiss Animation Portraits 2022)
'I Like Animation Projects That Go Deep Into the Subject': Interview with Saskia von Virág (Swiss Animation Portraits 2022)
'Bestia', 'Flee' Win at the 29th Stuttgart Festival of Animated Film
'Bestia', 'Flee' Win at the 29th Stuttgart Festival of Animated Film
The Audience Will Always Be Different: Interview with Michael Frei (Swiss Animation Portraits 2022)
The Audience Will Always Be Different: Interview with Michael Frei (Swiss Animation Portraits 2022)
Animated Multiverse: Review of the Contemporary Swiss Animated Production
Animated Multiverse: Review of the Contemporary Swiss Animated Production
Monoclub Chilemonos 2022: Three Weeks of Animation Activities
Monoclub Chilemonos 2022: Three Weeks of Animation Activities
'I Enjoy Getting Characters Back On the Stage: Interview with Marjolaine Perreten (Swiss Animation Portraits 2022)
'I Enjoy Getting Characters Back On the Stage: Interview with Marjolaine Perreten (Swiss Animation Portraits 2022)
Exploring Different, Animated Worlds: Interview with Team Tumult (Swiss Animation Portraits 2022)
Exploring Different, Animated Worlds: Interview with Team Tumult (Swiss Animation Portraits 2022)
Swiss Animation Focus at Annecy Festival: A Comprehensive Guide
Swiss Animation Focus at Annecy Festival: A Comprehensive Guide
55 European Animation Features Per Year. Do We Watch Them and Are They Enough?
55 European Animation Features Per Year. Do We Watch Them and Are They Enough?
Flow by Gints Zilbalodis: First Teaser
Flow by Gints Zilbalodis: First Teaser
Deep Love by Mykyta Lyskov
Deep Love by Mykyta Lyskov
Russian Animation Artists Against the War
Russian Animation Artists Against the War
Guillermo Del Toro's Pinocchio: First Trailer
Guillermo Del Toro's Pinocchio: First Trailer
Zoon by Jonatan Schwenk: Interview
Zoon by Jonatan Schwenk: Interview

 The French city of Toulouse will host the 25th edition of Cartoon Forum, the co-production platform for European animation series that will present 80 new projects from across Europe from 23-26 September.

Over the past quarter of a century, Cartoon Forum has steadily grown in quality and size, with a record 150 projects submitted this year, up 50 percent from a year earlier.

About 850 sector professionals, including 250 buyers, will have the opportunity to discover some 500 hours of animated series that can boast of original stories and innovative visual material.

 France leads the line-up by country with one third of the projects followed by the United Kingdom, which confirms its steady production trend with 11 projects.

 The Oscar-nominated animated feature Ernest & Celestine  (Les Armateurs) returns as a TV series by Charivari (France, 26x13mn) to be pitched during the Cartoon Forum.Ireland and Belgium are also among the most active countries in terms of production with 9 and 8 projects respectively, followed by Denmark, Italy and Spain with 5 projects each, and Germany with 4 projects.

Animation production has also expanded across the rest of Europe, reaching new EU countries like Malta - making their first steps at the event - or Bulgaria, Latvia, Estonia and Croatia, which return to the Cartoon Forum after having participated in previous editions.
 

Toulouse will be the stage for new characters and concepts to be presented by primarily independent producers from some 19 European countries.

Through pitching sessions in front of professional audiences, including some 250 broadcasters and investors, these producers will have an opportunity to find cross-border partners and speed up financial arrangements for their projects in development.

Cartoon Forum’s efficient formula has ensured financing for over 525 projects over the past 25 years with a total budget of 1.8 billion euros.

In 25 years, the Cartoon Forum has played an essential role in structuring the European market, by creating a true network of transborder cooperation, by restoring confidence in the relationship between producers and broadcasters, and by showing that there is sufficient on offer, of quality, within the European Union.

Discover more about the Cartoon Forum projects here