Yeon Sang-ho's third feature is no less fierce and violent as his The King of Pigs and The Fake efforts, and wholeheartedly artistic at the same time.

The animation documentary by Penny Lane tells a highly interesting story with honesty and flair, but does not always hit the right notes.

The very crafty French/US co-production of The Little Prince can be a fine film at times, but keeps retelling its message in more ways than Saint d' Exupéry's essential simplicity would permit.