ANIMATION FRONT

Weird Market 2022: All Selected Animation Projects
Weird Market 2022: All Selected Animation Projects
11 Animation Features in the BIAF 2022 Lineup
11 Animation Features in the BIAF 2022 Lineup
Welcome to the Welcome by Gabriela Sibilska
Welcome to the Welcome by Gabriela Sibilska
'The Golden Age', 'Strange' in Rising of Lusitania Animadoc Awards 2022
'The Golden Age', 'Strange' in Rising of Lusitania Animadoc Awards 2022
Viborg Animation Festival 2022: A Diverse and Animation-Immersive Program
Viborg Animation Festival 2022: A Diverse and Animation-Immersive Program
18th Seoul Indie AniFest: Programme Highlights
18th Seoul Indie AniFest: Programme Highlights
'Bird In the Peninsula', 'The Queen of Foxes' in the Fantoche 2022 Winners
'Bird In the Peninsula', 'The Queen of Foxes' in the Fantoche 2022 Winners
‘Nayola’ Film Review: When the Animation Is More That the Art of Movement
‘Nayola’ Film Review: When the Animation Is More That the Art of Movement
12 Jury Members for BIAF 2022
12 Jury Members for BIAF 2022
Money and Happiness by Ana Nedeljkovic and NIkola Majdak Jr: A Happily Rich Trailer
Money and Happiness by Ana Nedeljkovic and NIkola Majdak Jr: A Happily Rich Trailer
Conversations With A Whale by Anna Samo
Conversations With A Whale by Anna Samo
'A Film Is Like Planning A House Build': Interview with Jonathan Laskar (Swiss Animation Portraits 2022)
'A Film Is Like Planning A House Build': Interview with Jonathan Laskar (Swiss Animation Portraits 2022)
Perlimps by Alê Abreu: A Forest and A Trailer
Perlimps by Alê Abreu: A Forest and A Trailer
Garbage Man, The Memories of a Family: Interview with Laura Gonçalves
Garbage Man, The Memories of a Family: Interview with Laura Gonçalves
Telling Stories Is Like Breathing: A Conversation with Signe Baumane
Telling Stories Is Like Breathing: A Conversation with Signe Baumane
15 Swiss Animation Portraits for 2022
15 Swiss Animation Portraits for 2022
New Trailer for 'Inu-Oh' by Masaaki Yuasa
New Trailer for 'Inu-Oh' by Masaaki Yuasa
'The Magic Happens in the Editing Room': Interview with Isabelle Favez (Swiss Animation Portraits 2022)
'The Magic Happens in the Editing Room': Interview with Isabelle Favez (Swiss Animation Portraits 2022)
Deep Love by Mykyta Lyskov
Deep Love by Mykyta Lyskov

UPDATE 22/6: Students take a stand for Priit Pärn.

The Head of the Animation Department was suddenly dismissed, causing an outrage from students and animation professionals.

 Priit Pärn needs no introductions to the European animation professionals, but his unique visual and narrative style with his David Lynch magical atmosphere is present even from his first film  Is the Earth Round?  (1977).

Breakfast on the Grass (1987), Hotel E (1991), 1895 (co-directed by Janno Põldma, 1995) and the definitive Night of the Carrots (1998) are some of his achievements. His latest Divers in the Rain (2010, co-directed wity Olga Pärn) won 18 international awards.

night-of-the-carrots-01-520

Night of the Carrots

Having received the Lifetime Achievement Award from Krakow Film Festival, Pärn was also Head of the Animation Department in the Estonian Academy of Arts.

However, he was suddenly dismissed from his duties two days ago (both as a teacher and a Head of the Animation Department), even though his contract was valid for three more years (he was elected in 2014).

At the request of the Dean of the Faculty of Fine Arts Andres Tali, Pärn had to go through a new academic evaluation process by the 21-member Council, whose decision was to dismiss the Estonian animation director.

Rector Mart Kalm claims the dismissal decision was a result of secret voting he could not control. Dean Andres Tali indicates that Pärn's desire to work closely with his partner Olga Pärn (a fellow animation director herself) complicated things.

On the other hand, Pärn himself blames the Dean's "unfair tactics"; he also accuses Kalm of telling him that his teaching methods were "narrow-minded and did not relate to contemporary art".

 The decision has caused furore to Estonian Academy of Arts animation students, most of which came to study animation there because of Pärn. Concern has also grown among animation professionals, including Chris Robinson, Daniel Šuljić, Anu-Laura Tuttelberg and Pedro Rivero.

 Regardless of the administrative hurdles and decisions, this seems a very quick decision on behalf of the Estonian Academy of Arts to make, taken just a few months before the 2016-17 academic year starts.

It also poses the need for the academic curriculum to change substantially as a consequence, let alone the inspiration that Pärn gave to many animation students to complete their own, unique films.

UPDATE 03/06: The Estonian Academy of Arts responds to the dismissal claims.

UPDATE 22/06: Animation students take a stand for Priit Pärn. 101 former and currrent students of Priit Pärn signed a statement sent to the Ministry of Culture and Ministry of Education and Research, and the media.

Priit Pärn has developed a unique method of teaching animated film, which prepares future animation directors to be aware of the different stages of producing an animated film.

Our common wish is that this teaching system would continue under competent supervisors, and in the near future we see Priit and Olga Pärn as the ones capable of carrying out this role.

As someone who has been taught by this method, I can state with conviction that it gives a solid support in the production of an animated film in any technique or style.

 

Vassilis Kroustallis