Vassilis Kroustlalis reviews the stop-motion animation film 'Family Portrait' by Croatian artist and director Lea Vidakovic.

Estonian Sander Joon designs the 2023 Anibar Animation Festival visual identity.

Estonian Sander Joon designs the 2023 Anibar Animation Festival visual identity.

Vassilis Kroustallis review the post-apocalyptic animation feature 'White Plastic Sky' by Tibor Bánóczki and Sarolta Szabó.

Michael Dudok de Wit designs the poster for the 22nd edition of Countryside Animafest Cyprus 2023.

Katerina Beloglazova reports on the abstract, non-narrative programme of this year's Anifilm Festival (part of our GoCritic! review series).

Haci Seferov reports on the abstract, non-narrative programme of this year's Anifilm Festival (part of our GoCritic! review series).

The Hungarian director Flóra Anna Buda gets the highest prize for a short film at Cannes, the Palme ddOr, with her '27' animation short.

Joseph Norman reviews the new animation short 'Via Dolorosa' by Rachel Gutgarts, which premiered at Cannes Film Festival 2023. 

Joseph Norman reviews the new animation short 'Via Dolorosa' by Rachel Gutgarts, which premiered at Cannes Film Festival 2023. 

Mikhail Gurevich reviews the acclaimed animation short 'My Galactic Twin Galaction' by Sasha Svirsky.

An animation film on cyberbullying: watch Judgement by Yifan Sun and read her interview at Zippy Frames.  

The highlights of the 2023 Chilean animation festival Chilemonos, with an emphasis on its industry programme.

The highlights of the 2023 Chilean animation festival Chilemonos, with an emphasis on its industry programme.

More details about the development of the new stop-motion feature film 'Olivia and the Invisible Earthquake'.