Vassilis Kroustallis reviews the stop-motion animation short 'Money and Happiness' by Ana Nedeljovic and Nikola Majdak Jr.

Vassilis Kroustallis reviews the Cannes feature animation 'We Are Aliens' by Kohei Kadowaki.

Acclaimed Ukrainian animation filmmaker and educator Mykyta Lyskov talks to Zippy Frames.

The Ukrainian government has launched a new initiative that allows for co-production in the animation field as well.

Hasan Pastacı presents his queer-themed animation short, 'Sphere Supreme', to Zippy Frames.

Mohamed Ghazala writes about the 90th anniversary of Egyptian and African Animation.

Leo Černic in an interview with Zippy Frames on his Berlinale Shorts 2026 premiere - 'Cosmonauts'.

The Swiss Lucerne University of Applied Sciences and Arts has long been a hub for indie animation. Prof. Tina Ohnmacht, co-ordinator of the MA in Animation at HSLU, talks to Zippy Frames.

Our impressions from the second edition of the Black Sea Animation Workshop.

An appendicitis goes wrong and the relationship between a daughter and her mother is tested in the wonderfully punky animation short 'Bunnyhood' by Mansi Maheshwari.

A deeper animation dive into the winners of the recent 2025 CEE Animation Forum and its winners, starting with the winning pitch of the Polish feature animation project 'Until Death Unites Us'.

Natalia Mirzoyan talks about her Oscar-qualifying stop-motion animation short 'Winter in March' to Mikhail Gurevich.

Indie animation director and artist Lea Vidakovic talks to Zippy Frames.

Olivia Popp reviews ‘Little Amélie or the Character of Rain’, playing most recently at San Sebastián International Film Festival.

Zippy Frames explores the role of temporality at festivals, one of the Balkans’ most unique and place-specific animation events.