The Indian feature film on the Mahabharata hero Arjun is a welcome, if incomplete portrayal of a nation and its own, distinctive codes.

A documentary on the ill-fated feature project of the Academy Award-winning animator, Richard Williams, illuminated aspects of the animation business usually left untold.

The Suicide Shop (Le magasin des sucides) by Patrice Leconte is an anomaly: a film that is so warm that belies its subject-matter, but also contrived and stereotyped.

The Wolf Children Ame and Yuki by Mamoru Hosoda is a well-studied, but lifeless experiment on identity and the motive of the feral child.

Approved for Adoption (Couleur de peau: miel / Skin color: honey) by Jung and Laurent Boileau  is a welcome study of a neglected area in child development, but minimizes all the harsh edges of the adoption predicament it describes.

A new documentary film on the French pioneer illustrator and animator, Benjamin Rabier, the man behind the laughing cow. Read the film review.

The stop-motion feature film Selkirk, The Real Robinson Crusoe, by the Uruguyan director Walter Tournier is short of flashy adventures, but full of character motivation.

Don Hertzfeldt's It's Such A Beautiful Day is a heart-breaking and mesmerizing film on life and the passing of time. 

Daddy, I'm A Zombie offers a consistent young adolescent adventure to the zombie world, even though its Wizard of Oz narrative strategy makes the film more of a deja-vu.