Countries
A deeper animation dive into the winners of the recent 2025 CEE Animation Forum and its winners, starting with the winning pitch of the Polish feature animation project 'Until Death Unites Us'.
Natalia Mirzoyan talks about her Oscar-qualifying stop-motion animation short 'Winter in March' to Mikhail Gurevich.
Olivia Popp reviews ‘Little Amélie or the Character of Rain’, playing most recently at San Sebastián International Film Festival.
Zippy Frames explores the role of temporality at festivals, one of the Balkans’ most unique and place-specific animation events.
Olga Bobrowska interviews Matea Radic ahead of the world premiere of her animation short Paradaïz at Fantoche Festival.
The 27th Bucheon International Animation Festival (BIAF2025) has announced the 11 members of its international jury, representing a wide range of genres across short film, feature film, graduation/TV & commissioned/ shorts, and music.
Olivia Popp talks to Draško Ivezić, head of the Croatia-based studio Adriatic Animation, about his perspectives on meaningful animated stories, moving into creating a feature, and the strengths behind humor and finding close collaborators.
Erika Roša reports from the Croatian Competition (second programme) of this year's Animafest Zagreb festival, in our GoCritic! review series.
Online release for the animation short 'Little Dan' by CalArts graduate and indie animation artist Yingdan Lai.
Our film review for the Cristal Annecy Winner (Best Animation Short), The Night Boots by the French animation director Pierre-Luc Granjon.
Read our film review for the French 2D/stop-motion animation short 'Sulaimani' by Vinnie Ann Bose, in competition at the 2025 Annecy Festival.
Film review for the Polish animation film 'The Pool or Death of a Goldfish' by Daria Kopiec, in competition at Annecy Film Festival.
Learn about the full selection of the 5th CRAFT International Animation Festival in Yogyakarta, Indonesia.

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