The animation documentary by Penny Lane tells a highly interesting story with honesty and flair, but does not always hit the right notes.

Charlie Kaufman & Duke Johnson sign a perfectly sweet and melancholic essay on identity and love in stop-motion.

The very crafty French/US co-production of The Little Prince can be a fine film at times, but keeps retelling its message in more ways than Saint d' Exupéry's essential simplicity would permit.

The French feature Mune is a revelation of what 3D computer animation can do with a children's story.

The latest offering from Studio Ghibli is sweet and good-natured, but it doesn't match its previous achievements.

A sober detective thriller that quietly subverts the notion of a superhero from the duo of A Cat in Paris.

Pixar's Inside Out is ambitious, colourful and flawed.

The first animated feature from Martinique is an engrossing sci-fi adventure.

A neo-noir animation feature from Colombia mixes live-action atrocities with animated personal settings.

The premiere animation feature by powerhouse French production company Sacrebleu claims to show that 2D animation and classic movie adventure is not dead - and it does a commendable job.

It is multi-talented, much-loved and needs a lot of sympathy. Still, the feature animation of Kahlil Gibran's The Prophet is an uneven feature - and not because of its episodic structure.

It will have a hard time getting shown outside of its native country, but this adult and poignant adaptation of Andersen's The Little Mermaid must not get unnoticed.